智慧树知到《英国文学漫谈》章节测试答案


A.man

B.power

C.God

D.the world

正确答案:man

3、Shakespeare is hailed by(), contemporary with Shakespeare, as "not of an age, but for all time".

A.Christopher Marlowe

B.Robert Greene

C.Ben Jonson

D.Thomas Nash

正确答案:Ben Jonson

4、Hamlet is characterized as a(an)() on that, he loves good and hates evil; he is a man free from prejudice and superstition; he has unbounded love for the world and firm belief in the power of man.

A.Puritan

B.humanist

C.idealist

D.patriot

正确答案:humanist

5、Edmund Spenser was considered the() for his achievements in poetry.

A."the greatest English poet"

B."the saint of English poetry"

C."father of English poetry"

D."the Poets' Poet"

正确答案:"the Poets' Poet"

6、() is a distinctive verse form adopted by Edmund Spenser in his works incluiding his masterpiece The Faerie Queene.It has 9-line stanzas, rhyming in ababbcbcc.

A.sonnet

B."The mighty lines"

C."The Spenserian Stanza"

D.blank verse

正确答案:"The Spenserian Stanza"

7、Francis Bacon won for himself the first English() for his achievements in English literature of the Renaissance.

A.prose writer

B.poet

C.essayist

D.dramatist

正确答案:essayist

8、The most representative work of Francis Bacon is(), which is the first collection of English essays.

A.Essays

B.Novum Organum

C.The Interpretation of Nature

D.Advancement of Learning

正确答案:Essays

第四章单元测试

1、() is regarded as the greatest prose writer in the English literature of the 17th century, who is best known for his work The Pilgrim's Progress.

A.Francis Bacon

B.John Bunyan

C.George Herbert

D.John Dryden

正确答案:John Bunyan

2、The Pilgrim's Progress is written in the form of() .

A.symbols

B.aggressions

C.allegory

D.allusions

正确答案:allegory

3、"The Metaphysical Poets" refer to the loose group of 17th-century English poets whose work was characterized by the inventive use of()

A.symbols

B.metaphor

C.conceit

D.imagination

正确答案:conceit

4、In his "A Valediction:Forbidding Mourning", John Donne makes a most impressive comparison between love and() as the dominant conceit of the poem.